Are drummers real musicians?

July 20, 2005 in Musicianship, Opinion by Dave Kropf

I get asked often what I think about the whole drummers not being “real musicians.” First, I don’t have to tell you how much that fries me, but instead of simply flaming anyone who says that, I thought I’d blog my eloquent reply …

Drums are a musical instrument capable of just as many notes, tones, sounds, and expressive capabilities as the guitar or saxophone. I’d challenge any horn player to try and outnumber the number of sounds I can get on a drum kit .. heck – ONE DRUM! Why then, is it assumed that just because this instrument does not prescribe to the Western concept of a set of 12 semitones per octave that it somehow requires less musicality to play? In fact, it requires just as much musicianship and I feel, dare I say more creativity to play an instrument with such an abstract musical nomenclature.

It is true that some drummers submit to the gorilla mentality of drums being merely an outlet for their raw agression. Simply put, they don’t make it easy on the guys trying to break down this non-musician myth, but even in their bashing, there is an element of musicianship. Just as there is musicianship and talent in the latest pop single from the hippest boy-band. Like it or not, they are musicians.

I think a big problem with the non-musical stereotype continuing is the fact that it is not difficult to actually cause a sound on a drum. Stick+Whack=sound, right? Still, can I not blast into a trumpet and at least get something?? Can I not simply sing and get music? Just because you can get sound out of an instrument does not mean you are playing it musically. What about expression, dynamics, rhythm, tempo, meter, style, etc.? Do these not require musicianship to play? Does it not require musicianship to play in an ensemble at a certain tempo, at a certain volume, and all while maintaining function over not a set of lips, or fingers, but all four limbs at once?

I guess what it comes down to is attitude. You may be reading this and not buying ANY of it, and that’s fine. You are certainly entitled to your opinion; however to consider drummers less of a musician because “they don’t read notes” is simply ignorant and degrades your own status as a musician, because in my opinion, if you have such a disregard for music and instruments you do not understand, then you still have a long way yo go in your own musical journey.

Originally posted on the VISIBLE SCHOOL Message Boards, July 20, 2005. 

Related Posts
Good to see that Louie Bellson is on the mend. This guy is a big reason we study jazz today. He really did a lot for drumming, jazz music, and musicianship in general. Here's to many more years! Source: ModernDrummer.com The great Louie Bellson was recently hospitalized a few months back while recovering from a hip-breaking fall. However, he has been enormously encouraged and thankful by the greeting cards and well wishes. Mr. Bellson has now transferred to ...
READ MORE
The drummer's number one enemy when grooving isn't an inability to keep time (though that's a big one too)... it's the itch. It's the feeling you get to break out (musically) when you are locked in the pocket. It's like the musical equivalent of claustrophobia. Staying in a groove can make your musical universe seem very small. So you leave the pocket to come up for air... deep breath... and then you're back in again. ...
READ MORE
Today we cover playing along with pieces that don't necessarily call for drum parts (like in classical music!) ?uestlove is the drummer of the week, the ten-stroke roll is the rudiment of the week, and Dave rants on MikeDolbear.com's reader poll results! Show Notes
READ MORE
On the Creative Coordination DVD, Thomas Lang states that Independence and Interdependence are both different states of mind. And after considering and pondering what he said for a couple of minutes, I came to agree. If you think about it, the only difference between interdependence and independence is how you view what you're playing. If you view what each limb is doing as a separate rhythm, that's independence. if you view each limb as playing ...
READ MORE
This week, we discuss the historical and musical aspects of polyrhythms. Mike covers the news, the Lesson 25 is the rudiment of the week, and Thomas Lang is the drummer of the week. Show Notes Show Notes
READ MORE
Here's a little food for thought next time you sit down to practice. Drummers are often guilty of growing their kit instead of growing themselves, and I'm as guilty as anyone else. We often try and open new doors (musically) by adding something to the kit. New ride, new hats, cowbells, shakers, special effects crashes, and octobans. in the hopes that one of these new additions will spark a new creative streak, I think we actually ...
READ MORE
In the last episode (February 29th, 2008) of Drummer Talk, the guys discussed how to get out of a musical rut. Many good ideas were discussed, but I wanted to challenge you to consider this: how, or in what, do you find inspiration? For myself, I wanted to elaborate on two points that I feel have provided me musical inspiration: using electronics to step away from being just a "drummer", and taking a break ...
READ MORE
Athletes call it "The Zone," Billy Ward calls it "Playing with the Creative Side of the Brain," and samurais call it "Mushin" which loosely means "mind of no mind." If your brain is a band (metaphorically) then Mushin is when the improvisation guy gets to take a solo. Every one shuts up and he does his thang. There's no miscellaneous thoughts to impede improv guy from expressing himself. It's just him, the music, and the ...
READ MORE
Thomas Lang is BACH! ... I mean back, he's back, back again with his second instructional DVD from Hudson Music. This time he's the Thomas Lang that we think of when someone says "wacky Austrian drummer." He's much more personable in this DVD and he's quite funny, unlike his last DVD that where he earned his reputation for being robot like. The focus of this DVD is advanced foot PATTERNS and the coordination matrix that he ...
READ MORE
One of the things that is so attractive about music and being a musician is the freedom. You create without fear of being told "that's wrong." Music is subjective, it isn't right or wrong it just is what it is. Depending on what choices you make your music might be praised or reviled but those are just the opinions of other people. So many times when someone tries to make a comment, constructive criticism or ...
READ MORE
Jazz Legend Louie Bellson Released From Hospital
The Itch & Musical Claustrophobia
Drummer Talk 04/11/2008 – Where No Drums Have
Independence and Interdependence
Drummer Talk 03/14/2008 – Polyrhythms
Small Kit Mentality/Drying Your Wings
How do you find inspiration?
Musical Mushin
DVD review – Thomas Lang’s Creative Coordination
Drumming Technique – Great, Good, or Bad?